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While each of Jarmusch's family units in FATHER MOTHER SISTER BROTHER feels familiar, Moore and Sabbat are so convincing in their chemistry and connection that I began to wonder if they actually are twins. (They are not.) This radiant love for one another smooths the cutting edges of the grief of their story, because unlike the other chapters' characters, they are not alone together. They are together even when they are alone, because they truly see each other and don't shrink from such honesty and vulnerability.
这份过于私人的自传式表达遭遇苏联业内一片质疑和不满，成为他创作生涯中一次激烈的争议。老搭档尤索夫拒绝执镜，认为这部作品过于自我；与他一同撰写《安德烈・卢布廖夫》剧本的旧友冈察洛夫斯基在看过影片后直言：“塔可夫斯基关心的并不是永恒的真理，而完全是他自己。”塔可夫斯基从未妥协，正如他在日记中所写的，电影于他从来不是一份谋生的职业，而是“与上帝的对话”，是内心的祈祷。这份对创作的执念同样体现在《潜行者》的拍摄中，也让他付出了沉重的代价。。关于这个话题，雷电模拟器官方版本下载提供了深入分析
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