2月27日，Rapidus公司宣布，已完成总额2676亿日元（约合17亿美元）的融资，资金来自日本政府及私营企业，其中日本经济产业省下属独立行政机构注资1000亿日元，该战略融资计划将助力Rapidus公司稳步推进研发进程，于2027年前实现2纳米逻辑半导体的量产目标。Rapidus同时宣布获得来自32家企业的私募融资，总额达1676亿日元，投资方包括佳能、日本政策投资银行、富士通、NTT、软银集团及索尼集团等。（界面）
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There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
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